BOOTLEGGED AGAIN!
- The Flying Burrito Brothers
- Live at Sigma Sound Studios
- Produced for WMMR by DENNIS WILEN
- JUNE 1971
Fifty years ago! Damn! Still rockin'!
BOOTLEGGED AGAIN!
Fifty years ago! Damn! Still rockin'!





Here's the video, all cued up to right before my mention:
Philadelphia Magazine is retelling the story of Billy Joel's breakout to stardom in Philadelphia and it's all my fault!
Read the whole story @ Philadelphia Magazine Thanks to VINNIE for the clipping.Here’s How Philadelphia Created Billy Joel
The hitmaker, who plays Philly on Friday, tells us all about it.
....Back in 1971, Joel was a no-name 22-year-old from Long Island. In November of that year, he released his first album, Cold Spring Harbor, which got virtually no attention or airplay. But then one day in 1972, Philly music producer Dennis Wilen, who had launched a live WMMR concert series from Philadelphia’s Sigma Sound Studios, got wind of this singer-pianist named Billy Joel during a visit to New York. Wilen invited Joel to do one of those WMMR live broadcasts....
Brewer & Shipley are One Toke Over the Line in this live 1972? 1973? Sigma Sound Studios recording.
I produced this concert remote broadcast for WMMR.

I am a big consumer of online multimedia and as the editor and publisher of POCHO I regularly embed video and audio files.
The videos I feature are usually served by YouTube and Vimeo, and audio files mostly come from SoundCloud. I've never spent much time contemplating SoundCloud's business model -- I just thought of them as an audio YouTube analog.
Now it turns out SoundCloud is having cash flow problems and may not be around much longer. As far is POCHO is concerned this is no big deal --- creaters gonna create anyhow -- but as a SoundCloud creator myself I need to consider where my audio files will live if SoundCloud shuts down.
Thankfully my old friend Tom Higgins was a step ahead of me and put a shell script up on GitHub that you can use to move your files from SoundCloud to a nice new home on Archive.org.
Thanks, Tom!

I'm in a book!
Fellow Penn alum Carol Miller, the DJ and VJ, put me in her autobiography UP ALL NIGHT.
I always tell people that I replaced her as Music Director at WMMR in Philadelphia when she went to NYC, but until my cousin showed me Carol's book (she borrowed it from the library), I didn't know Carol gave me props for getting her the job at WMMR in the first place!
I'm in there for three pages, starting at page 83.
If this is what they mean by globalization, count me in! Or source me out. However it works.
My music with/by Billy Joel is hella story. Read all about it here....>
Legendary recording engineer and Sigma Sound Studios founder Joe Tarsia sits down to talk about his decades-long career "behind the board" in the music industry - from his early days at Cameo Parkway Records, to his long-standing relationship with Gamble & Huff of Philadelphia International Records, and the creation of "The Sound of Philadelphia" featured on over 200 gold & platinum-selling records, including David Bowie's Young Americans.
Joe gives me a nice shout out around 23:00 in...
#TBT July 1971.
I brought country rockers The Flying Burrito Brothers into Philly's famed Sigma Sound Studios for one of my WMMR radio concerts. With Jay Mark and Joseph Tarsia behind the board, it sounded something like this ...

Congrats to my Led Zeppelin homies on winning the lawsuit!
I'll never forget my first week on the job at WMMR that ended with our flight on the private jet to Atlanta and Miami with party girls and Atlantic Records executives and a "party atmosphere" -- very similar to the opening episode of HBO's VINYL.
Robert and Jimmy: We played blackjack but I don't remember who won -- do you?
There's been a bustle in my hedgerow ever since.

Thank you Bad Company and Swansong records for this! I've been dragging it from place to place for 40-plus years.

If you're at the Kimmel Center for the Music of Billy Joel concert by the Philly Pops, you might recognize this handsome young guy in the program book.
The image is from the excellent WNYY/Newsworks article David Bowie's days amid the young Americans in Philly [photos].
I produced and recorded a live radio concert with guitarist Robin Trower, remote from Sigma Sound Studios, in Philadelphia, for radio station WMMR in 1974.
It sounded something like this...

Billy Joel has released just one studio album in the past 20 years — a 2001 recording of his classical compositions that you’ve likely never heard. Yet when he takes the stage in Philadelphia on August 13th, he’ll do so at Citizens Bank Park in front of some 40,000 fans and play through his repertoire of modern American classics. He’s a true star, and one with a fiercely loyal following. But it wasn’t always that way.Continued @ PhillyMag.com....
Back in 1971, Joel was a no-name 22-year-old from Long Island. In November of that year, he released his first album, Cold Spring Harbor, which got virtually no attention or airplay.
Then one day in 1972, local music producer Dennis Wilen [photo], who had launched a live WMMR concert series from Philadelphia’s Sigma Sound Studios, got wind of Joel during a visit to New York and invited him to do a show.
It was 1975, and I was touring America for the 2nd time, this time without the pierrot costume, and starting to play bigger shows.
Here we supported the Sensational Alex Harvey Band.
My band were keyboardist Chris Stainton (already legendary for his work with Joe Coker and The Greaseband and Mad Dogs And Englishmen), Charlie Harrison on bass, Steve Chapman on drums and Les Nicol on guitar.
We were a pretty tight outfit and 'Long Tall Glasses (I Can Dance)' was heading up the charts and bringing in a whole new audience to our shows, so I was on a roll when we recorded this.
SAHB had been around the circuit a year before us so were well established and Alex was a fantastic showman on stage, and it was a thrill to be supporting them and playing to their crowd into the bargain.
It must've been a great gig to attend 'cos both bands were well known to give more than 100% onstage at the time.
The energy really comes across here, and though a lot of people wrote me off as MOR, this show belies that - we rocked!
I'm older and wiser now maybe, but when I heard this tape back it's like yesterday again.
Hope you all like it too...
Leo Sayer performs TOMORROW live at the Trenton War Memorial on March 12, 1975. Radio concert produced for WMMR by Dennis Wilen. After we found and digitized audio from this original tape, Leo himself re-mastered this track for your pleasure. Thanks, Leo! Leo just posted his "liner notes" on Facebook:
It was 1975, and I was touring America for the 2nd time, this time without the pierrot costume, and starting to play bigger shows. Here we supported the Sensational Alex Harvey Band. My band were keyboardist Chris Stainton (already legendary for his work with Joe Coker and The Greaseband and Mad Dogs And Englishmen), Charlie Harrison on bass, Steve Chapman on drums and Les Nicol on guitar. We were a pretty tight outfit and 'Long Tall Glasses (I Can Dance)' was heading up the charts and bringing in a whole new audience to our shows, so I was on a roll when we recorded this. SAHB had been around the circuit a year before us so were well established and Alex was a fantastic showman on stage, and it was a thrill to be supporting them and playing to their crowd into the bargain. It must've been a great gig to attend 'cos both bands were well known to give more than 100% onstage at the time. The energy really comes across here, and though a lot of people wrote me off as MOR, this show belies that - we rocked! I'm older and wiser now maybe, but when I heard this tape back it's like yesterday again. Hope you all like it too...